I spent the summer shooting exclusively on Kodak Gold 200 and my Hasselblad 500cm.

I made my first photography zine using the film I shot in California.

In the past two months, Jenny and I bought a house, moved and had a little girl. Here’s to new life!

I recently purchased a Nikonos V and took it to the Juniper Prairie Wilderness to fill some gaps in my photography story.

Jenny and I went to California for our anniversary, and I recorded the entire trip on my Mamiya 7ii and 15 rolls of film.

It was midday and 95 degrees with scattered thunderstorms forecasted throughout the afternoon. The conditions were perfect for a lot to go wrong.

This past weekend I did some time traveling. Not in the science fiction sense, where someone jumps into a DeLorean or a phone booth and leaps forward and backward in a dramatic attempt to rectify some injustice committed in an alternate timeline. No, my time travel was a little more tame than that.

They warn you about the bears. They warn you about the alligators. They warn you about the rattlesnakes and the water moccasins. But they never warn you about the two guys hauling an oversized bathroom mirror miles through the brush and the thicket into the wilderness. Probably best to stay clear of those two.

It was the 4:15 a.m. alarm that finally succeeded in yanking me from the silence. I rolled out of bed and onto my feet.

I grew up in Florida. My family moved here from Cape Cod when I was seven. But I’ve always seen Florida as an unfortunate circumstance, a stain left in the carpet of my parents’ old dreams. This is the second post of my Contact Sheets series.

In this post I reveal a little sneak peak of my new camera and dive into why I still shoot film in an almost exclusively digital world.

When it comes to shooting film, I’ve always preferred black and white. But I recently shot eight rolls of Portra 400 over the last three weeks and wanted to share with you some of the images I made as well as my thoughts on shooting color film in general.