I made my first photography zine using the film I shot in California.

I have a love-hate relationship with light painting. It never goes as planned, and although my ideas are tactful, the execution is consistently inadequate. This past weekend I took to the woods to explore the role the physical process plays in art and how that affects our perception of it.

They warn you about the bears. They warn you about the alligators. They warn you about the rattlesnakes and the water moccasins. But they never warn you about the two guys hauling an oversized bathroom mirror miles through the brush and the thicket into the wilderness. Probably best to stay clear of those two.

In this post I reveal a little sneak peak of my new camera and dive into why I still shoot film in an almost exclusively digital world.